![]() ![]() “A 2D ultrasound image of a tumor, tissue, or internal organ can be difficult to interpret.”ĭuring a 2D ultrasound scan, a slight change in the angle of the probe or the patient’s posture can make objects appear larger or smaller than they are. “The human anatomy is three-dimensional,” Song said. Cancer care providers use ultrasound to identify abnormal tissues and tumors for screening and diagnosis.īut unlike the nocturnal echolocators of the animal kingdom, clinical ultrasound systems mostly operate in 2D, which restricts the range of view during a scan. ![]() Ultrasound imaging typically uses a handheld probe to send a beam of ultrasonic waves toward a target, like a tumor clinicians can determine its size, shape, and location based on how the waves bounce back. Like bats slaloming around stalactites, guided by echolocation, humans use ultrasonic waves to visualize the body’s internal landscape. “It’s the natural first stop in increasing accessibility to many clinical applications, such as providing care for patients suffering from cardiovascular diseases or cancer.” “Ultrasound is one of the most cost-effective medical imaging technologies,” Song said. Pengfei Song, a researcher at the Beckman Institute and an assistant professor of electrical and computer engineering and bioengineering at the University of Illinois Urbana-Champaign, is leading the project, which is supported by a four-year, $2M award from the National Institute of Biomedical Imaging and Bioengineering at the National Institutes of Health. Affordable and user-friendly, it is designed to instantly add 3D capabilities to 2D ultrasound imaging systems. These two performances book-end what is otherwise an ensemble piece, with ACT vets Anne Allgood and Christine Marie Brown, as well as promising newcomers Claudine Mboligikpelani Nako, Andrew Lee Creech and Bhama Roget rounding out one of the theater’s most creative offerings in recent memory.Octo- A new device in the works at the Beckman Institute for Advanced Science and Technology could make high-quality medical imaging more accessible in diverse communities. Erik Gratton provides an introduction into the play’s world, carrying the first act on his shoulders and boasting a serious impression of Homer Simpson. Burns that bears some similarity to Heath Ledger’s Joker in The Dark Knight. Adam Standley takes the spotlight as the most theatric of the apocalyptic troupe, eventually transforming into a version of Mr. It works partly due to a down-to-earth script, which was worked out by improv actors sitting in a room and trying to find a Simpsons episode that everyone could recollect.īut the production’s true saving grace is the quality of its cast. With that concept, the play could easily devolve into a mess or gimmick. This episode provides a touchstone, a shared memory of better times for the characters. Throughout the over 80 years of post-apocalyptic history the play covers, this episode gets remembered, replicated, and eventually used as an inspiration for something very different. Specifically, the episode in which Sideshow Bob attempts to murder Bart while he’s under the FBI's protection. The key to the play is a Simpsons episode, which is referenced throughout. Burns hits on something smart and important. In its understanding of how people often connect with strangers and find meaning in diversion – and in a wild third act, its references to the origins of theater – Mr. And they do this by remembering an episode of The Simpsons.Īt its core, the play is about recollecting a piece of pop culture, and sharing that memory. Later, they work to help others do the same. They’re simply trying to take their minds off the situation. What is so original about the play is the characters are not overly focused on it, or on a quest to fix anything. All this is par for the course in apocalypse fiction. The play centers on a group of survivors of a vaguely defined apocalypse. It received significant accolades off-Broadway and in DC, where it was first staged. Burns: A Post-Electric Play", which is running at Seattle's ACT Theater until November 15. But for those that do, it’s something to discuss. This link is the foundation of " Mr. Everyone may not know the films of the Coen Brothers, or that the ending for TV show "Lost" was really disappointing. But unless you’ve had too many to drink, there’s no excuse for making any of those subjects the theme of conversation, particularly with people you barely know.įor better or worse, pop culture represents a shared language. A dislike for some Christmas songs that grows by the year, then plateaus. Affection for one, if not many, of our family members. What can we – as American adults – all share a conversation about? Common threads connect us, sure. ![]()
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